UC San Diego Health - McGrath Outpatient Pavilion - Hillcrest Campus Opened August 2025Brad HOWE, Dancing Between the Raindrops, aluminum, stainless steel, urethane, 15 × 8 × 12 feetAlonso DELGADILLO, Los Bosques de Eucaliptios, epoxy on sheetrock, 80 × 17 feetAlonso DELGADILLO, Los Bosques de Eucaliptios, epoxy on sheetrock, 80 × 17 feetAlonso DELGADILLO, Los Bosques de Eucaliptios, epoxy on sheetrock, 80 × 17 feetAlonso DELGADILLO, Los Bosques de Eucaliptios, epoxy on sheetrock, 80 × 17 feetLucy BOYD-WILSON, Eucalyptus, digital 3D rendering, dye-sublimation on aluminum, 19 feet, 6 in. × 84 feetLucy BOYD-WILSON, Eucalyptus, digital 3D rendering, dye-sublimation on aluminum, 19 feet, 6 in. × 84 feetLucy BOYD-WILSON, Peppertree, digital 3D rendering, dye-sublimation on aluminum, 23 × 106 feetLucy BOYD-WILSON, Peppertree, digital 3D rendering, dye-sublimation on aluminum, 23 × 106 feetEva STRUBLE, Eucalyptus Canyon, acrylic on machined wood panel, 48 × 120 in.Eva STRUBLE, Eucalyptus Canyon, acrylic on machined wood panel, 48 × 120 in.Naomi REIS, nature walk (mountains, foothills, valleys, coast), pigment printed wall covering, acrylic on mylar and handcut pigment-printed washi, 116 × 770 in.Naomi REIS, nature walk (mountains, foothills, valleys, coast), pigment printed wall covering, acrylic on mylar and handcut pigment-printed washi, 116 × 770 in.Naomi REIS, nature walk (mountains, foothills, valleys, coast), pigment printed wall covering, acrylic on mylar and handcut pigment-printed washi, 116 × 770 in.Naomi REIS, nature walk (mountains, foothills, valleys, coast), pigment printed wall covering, acrylic on mylar and handcut pigment-printed washi, 116 × 770 in.Naomi REIS, nature walk (mountains, foothills, valleys, coast), pigment printed wall covering, acrylic on mylar and handcut pigment-printed washi, 116 × 770 in.Jill LEAR, 32° 43’ 58” N 117° 08’ 51” W Moreton Bay Fig Balboa II (Spring Morning) (Midsummer Glow) & (Twilight Hush), triptych, charcoal, pencil, acrylic, watercolor, Lokta, Chiri, Unryu mulberry, Mango, Banana Leaf, Tengujo, and Katazome papers on paperJill LEAR, 32° 43’ 58” N 117° 08’ 51” W Moreton Bay Fig Balboa II (Spring Morning), charcoal, pencil, acrylic, watercolor, Lokta, Chiri, Unryu mulberry, Mango, Banana Leaf, Tengujo, and Katazome papers on paperRoy FOWLER, Beach Morning 2, oil on canvas, 78 × 96 in.Laura BALL, Wildflowers (Diptych), watercolor, gesso, wax and paint on paper, 36 × 80 in.Laura BALL, Wildflowers (Diptych), watercolor, gesso, wax and paint on paper, 36 × 80 in.Laura BALL, Sunrise in the Garden, watercolor, gesso, wax and paint on paper, 40.5 × 56.5 in.Laura BALL, Sunrise in the Garden, watercolor, gesso, wax and paint on paper, 40.5 × 56.5 in.Laura BALL, Sunrise in the Garden, watercolor, gesso, wax and paint on paper, 40.5 × 56.5 in.Brad HOWE, Dancing Between the Raindrops, aluminum, stainless steel, urethane, 15 × 8 × 12 feetBrad HOWE, Dancing Between the Raindrops, aluminum, stainless steel, urethane, 15 × 8 × 12 feetBrad HOWE, Dancing Between the Raindrops, aluminum, stainless steel, urethane, 15 × 8 × 12 feetLeo BERSAMINA, Sunday Painter, (left) and Tidal (right), acrylic on canvas and wood, 24.5 × 30.5Leo BERSAMINA, Sunday Painter, (left) and Tidal (right), acrylic on canvas and wood, 24.5 × 30.5Jake SHAPIRO, A Cowboy Rides Into Town on Friday, Stays Three Days, and Leaves on Friday, handmade paper pulp collage, 50 × 84 in.Jake SHAPIRO, A Cowboy Rides Into Town on Friday, Stays Three Days, and Leaves on Friday, handmade paper pulp collage, 50 × 84 in.Robert KINGSTON, Regatta, enamel on canvas, 48 × 60 in.Robert KINGSTON, Regatta, enamel on canvas, 48 × 60 in.Robert MINERVINI, View of the Park, acrylic on canvas, 44 × 96 in.Robert MINERVINI, View of the Park, acrylic on canvas, 44 × 96 in.Robert MINERVINI, View of the Park, acrylic on canvas, 44 × 96 in.Karl PILATO, Early Spring, oil on canvas, 60 × 84 in.Karl PILATO, Early Spring, oil on canvas, 60 × 84 in.EJ GOTTLEIB, Within the Fold, paint on folded steel, 36 × 32 inEJ GOTTLEIB, Within the Fold, paint on folded steel, 36 × 32 inJennifer SHIFFLET, Through the Light II, oil on canvas, 48 × 48 in.Dennis Lee MITCHELL, Westwater I & II, smoke drawing from blowtorch on paper, 40 × 40 in.Dennis Lee MITCHELL, Westwater II, smoke drawing from blowtorch on paper, 40 × 40 in.Dennis Lee MITCHELLDennis Lee MITCHELL, Westwater I, smoke drawing from blowtorch on paper, 40 × 40 in.Carrie MARILL, The Gaze, acrylic on linen, 44 × 94 in.Carrie MARILL, The Gaze, acrylic on linen, 44 × 94 in.Catherine HOWE, Violet/Green Mica Painting (Daisy), interference mica pigment and acrylic on canvas, 48 × 48 in.Catherine HOWE, Violet/Green Mica Painting (Daisy), interference mica pigment and acrylic on canvas, 48 × 48 in.UC San Diego Health sign at patient drop-off area on the Lower LevelAlonso DELGADILLO, Los Cañones de Hillcrest, epoxy on concrete, 15 × 90 feetAlonso DELGADILLO, Los Cañones de Hillcrest, epoxy on concrete, 15 × 90 feetAlonso DELGADILLO, Los Cañones de Hillcrest, epoxy on concrete, 15 × 90 feetAlonso DELGADILLO, Los Cañones de Hillcrest, epoxy on concrete, 15 × 90 feetAlonso DELGADILLO, Los Cañones de Hillcrest, epoxy on concrete, 15 × 90 feetNico MUNUERA, f Boneless VI, acrylic on linenNico MUNUERA, Boneless VI, acrylic on linenNicole WITTENBERG, Sweet William, 2, archival pigment print, hand varnished on Innova etching on cotton rag - edition of 15, 52 × 42 in.Laura BERMAN, Gem L 18 from the Gem L Series, unique relief monoprint, 40 × 40 in.Laura BERMAN, Gem L 19 from the Gem L Series, unique relief monoprint, 40 × 40 in.Laura BERMAN, Gem L 19 from the Gem L Series, unique relief monoprint, 40 × 40 in.Laura BERMAN, Gem L 18, 19, 20, 21, from the Gem L Series, unique relief monoprints, 40 × 40 in.
