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Renée BOTT

Works

Renée BOTT, Dumas' Chandelier II, acrylic and color pencil on book pages mounted to Japanese paper, 35.5 × 27 inches
Renée BOTT, Black Chandelier, acrylic and color pencil on color Xerox mounted to Japanese paper, 35.5 × 27 inches
Renée BOTT, Finding Polaris, acrylic on paper mounted to canvas, 60 × 45 inches
Renée BOTT, Deer Moon, acrylic, ink and color pencil on paper, 30 × 30 inches
Renée BOTT, The Trust Trees, acrylic and ink on book pages mounted to canvas, 40 × 30 inches
Renée BOTT, Dinner Plate Navy, acrylic on paper, 17 × 17 inches
Renée BOTT, Dinner Plate Ruby, acrylic on paper, 17 × 17 inches
Renée BOTT, Dinner Plate Black, acrylic on paper, 17 × 17 inches
Renée BOTT, Dinner Plate Violet, acrylic on paper, 17 × 17 inches
Renée BOTT, Dinner Plate Sepia, acrylic on paper, 17 × 17 inches
Renée BOTT, Dinner Plate Green, acrylic on paper, 17 × 17 inches
Renée BOTT, Dinner Plate Blue, acrylic on paper, 17 × 17 inches
Renée BOTT, Dinner Plate Ivy, acrylic on paper, 17 × 17 inches
Renée BOTT, Pondering Poe, acrylic on book pages mounted to paper, 30 × 30 inches
Renée BOTT, Sea of Words, acrylic on book pages mounted to paper, 28 × 27.5 inches
Renée BOTT, Sea of Words II, acrylic on book pages mounted to Japanese paper, 30 × 30 inches
Renée BOTT, Words I Should Have Said, acrylic and ink on paper mounted to canvas, 35.5 × 70 inches
Renée BOTT, Durer's Deer, acrylic and ink on book pages mounted to canvas, 30 × 30 inches
Renée BOTT, French Flower, acrylic and ink on book pages mounted to canvas, 30 × 30 inches
Renée BOTT, The History of Landscape II, book pages mounted to canvas, 30 × 30 inches

About the artist

My work is based on the minute and detailed lines found in etchings and engravings from the 15-17th century. I collect my source materials from museums, antique print dealers, and private collections. I photograph the prints and use Photoshop to digitally modify the images, which serve as general outlines for my compositions.

Often book pages provide the underlying armature for many of my works. I overlay the digitally enlarged image on top of the book pages, which are mounted to a canvas or backing material. The content of the text often offers inspiration for the image. Selectively lining out the text with paint or ink allows me to develop a composition that is woven into the text.

The common themes found in my work are based on my appreciation for both engravings and handwritten cursive. In my work, I enjoy thinking about how both these art forms were ubiquitous tools for communication in the past, and how obsolete they are today.

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