← Artists

Alex KATZ

Works

Alex KATZ, White Lilies 2, silkscreen in colors on Saunders Waterford High White HP 425 gsm fine art paper, 57 × 40 inches, Edition of 50
Alex KATZ, White Lilies 3, silkscreen in colors on Saunders Waterford High White HP 425 gsm fine art paper, 57.5 × 31.5 inches, Edition of 50
Alex KATZ, White Lilies 4, silkscreen in colors on Saunders Waterford High White HP 425 gsm fine art paper, 57.5 × 31.5 inches, Edition of 50
Alex KATZ, Summer, archival pigment ink on Innova Etching Cotton Rag 315gsm fine art paper, 54 × 42 inches, Edition of 60
Alex KATZ, Homage to Degas, archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper, 35 × 70 inches - edition of 100
Alex KATZ, Ada (Black), 1-color woodcut on Somerset Satin White, 300 gsm, 23.5 × 18 inches - edition of 150
Alex KATZ, Ada (Purple), 1-color woodcut on Somerset Satin White, 300 gsm, 23.5 × 18 inches - edition of 75
Alex KATZ, Coca-Cola Girl 3, 20-color silkscreen on Saunders Waterford High White HP 425 gsm fine art paper, 40 × 50 inches - edition of 60
Alex KATZ, Coca-Cola Girl 4, 18-color silkscreen on Saunders Waterford High White HP 425 gsm fine art paper, 40 × 50 inches - edition of 60
Alex KATZ, Dancer 2 (Cutout), cutout from shaped powder-coated aluminum, printed the same on each side with UV-cured archival inks, clear coated and mounted to a 3/8 inch aluminum base, 29 × 21 × 3 inches - edition of 60
Alex KATZ, Dancer 3 (Outline), mirror polished stainless stell with anodized black edge on bronze base with patina, 68 × 90 × 11 inches - edition of 4
Alex KATZ, Dancers (Outline), mirror polished stainless steel with anodized black edge on bronze base with patina, 78 × 78 × 11 inches - edition of 4
Alex KATZ, Vivien and Vincent (Outline), mirror polished stainless steel with anodized black edge on bronze base with patina, 77 × 90 × 11 inches - edition of 4
Alex KATZ, Vivien, archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper, 32 × 24 inches - edition of 150
Alex KATZ, Porcelain Beauty 3, porcelain enamel mounted on aluminum, 24 × 20.75 inches - edition of 25
Alex KATZ, Porcelain Beauty 4, porcelain enamel mounted on aluminum, 24 × 20.75 inches - edition of 25
Alex KATZ, Reflection 2, archival pigment ink on fine art paper, 47 × 39.5 inches - edition of 100
Alex KATZ, Sunrise, archival pigment ink on fine art paper, 55 × 42 - edition of 35
Alex KATZ, Twilight, archival ink on fine art paper, 40 × 88 inches - edition of 35
Alex KATZ, Sunset 2, archival pigment ink on fine art paper, 42 × 46 inches - edition of 35
Alex KATZ, Sunset 3, archival pigment ink on fine art paper, 39 x 70 inches - edition of 35, 39 × 70 inches - edition of 35
Alex KATZ, Homage to Monet (Triptych), archival pigment inks on paper, left panel:, right panel: 46 × 15.25 inches - edition of 100
Alex KATZ, Purple Wind, 22-color silkscreen on paper, 72 × 55 inches - edition of 64
Alex KATZ, Three Trees, 20-color silkscreen print, 37 × 59 inches - edition of 60

About the artist

Alex Katz, born 1927 in New York as the son of Russian-Jewish immigrants, is one of the most important painters of our time, worldwide. Katz studied at the Cooper Union School of Art from 1946 to 1949. He then attended the renowned Skowhegan School of Painting and Sculpture, which would later also produce such important artists as David Reed and Jason Rhoades, among others. From the 1950s onward, Katz developed a very independent painterly language which addresses the traditional genre of the landscape, as well as the portrait or figure painting. Although the general public sees Alex Katz as a pop artist, he does not consider himself to be one. Rather than emanating from a graphic implementation, such as that which pervades the works of Robert Indiana or Roy Lichtenstein for example, his images always emanate from painting.

Katz always begins his work by occupying himself with paint, from which he develops his very characteristic large-scale intercourse with space. The design of his pictorial reality is usually laid out extensively and appears with sharp, clear edges in his works from, at the latest, the end of the 1960s onward. He sees himself as a post-abstract painter who, in his realistic painting style, arranges the figure elements and sign elements in such a way that the observers combine them “in their heads” themselves. Katz is interested in the elementary question: What is reality? Taking this question as a starting point, he has spent the past 50 years repeatedly exploring possible ways with which “realism” can be redefined. Color and light play a central role in his works. Thus, even despite the ostensible realism, he pays less attention to the motif than to the look and style, i.e. the appearance. Alex Katz is represented in numerous international private collections and museum collections, and can look back on a wealth of international exhibition activity.

Inquire about available works

← All artists